UDTR — Radar mondial des droits de la Nature

The Romantic Landscape: A Search for Material and Immaterial Truths through Scientific and Spiritual Representations of Nature

Identification

Clé publique

doi:10.30958/ajha.7-2-3

Auteurs

Van Thi Diep

Année déclarée

2020

Langue déclarée

en

Type source

article

Première détection

2026-11-09T19:12:38.065434+00:00

Dernière observation des métadonnées

2026-11-09T19:12:38.065434+00:00

Dernière vérification HTTP

Non effectuée

Institutions déclarées par la source

York University

Résumé documentaire — langue originale

Landscapes generally bring to mind images of mountains, meadows, and beaches.These images are usually associated in the mind with the beauty of nature.To many, an encounter with nature is an encounter with the divine.While landscapes may evoke notions of nature's beauty or divine mystery, this link is not always recognized consciously.The association derives from a practiced experience instilled by history and culture, particularly through the pictorialization of nature.Landscape imagery has been a significant part of the history of Western civilization but it was most celebrated during the age of Romanticism.While the distinction between art, faith, and science is part of our contemporary world, this segregation did not always exist.To the contrary, it was the interdependency between art, faith, and science in Romantic landscapes that shapes our perceptions of landscapes today.Subjectivity was pertinent to Romanticism, as the modern desire for authenticity and truth emerged from the regimentation of the Enlightenment.Religious faith was one way for the Romantics to obtain truth, particularly, a divine truth found in nature and art.The representation of sublime landscapes allowed Romantic artists to express their own interpretations of truth.Simultaneously, Romantic science provided alternative narratives for the wonders of the world and the truths of nature.Science influenced the perception of nature and the way it was represented.Artistic depictions of plant-life, geology, atmosphere, and the celestial moon show this connection.However, for the Romantics, it was not only landscapes that embodied the tripartite of science, art, and faith.The meaning of life was dependent on the search for revelation in the material and spiritual worlds.Landscape was a vehicle that allowed for this revelation.

Identifiants

OPENALEX

W3016740163

DOI

10.30958/ajha.7-2-3

Repères documentaires

Famille documentaire

Doctrine

Types déclarés par les sources

article

Entités naturelles mentionnées

Montagne · Paysage

Les mentions d’entités ne constituent pas une preuve de reconnaissance juridique. La juridiction étudiée est distincte du pays d’affiliation des auteurs.

Sources

OpenAlex · Document 1 · Document 2

• DOI · https://doi.org/10.30958/ajha.7-2-3
• OpenAlex · https://openalex.org/W3016740163

Relations bibliographiques documentées

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• openalex:w1533875682 · CITES
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• openalex:w1769755451 · CITES
• openalex:w2006829796 · CITES
• openalex:w2054325880 · CITES
• openalex:w2055013892 · CITES
• openalex:w256883502 · CITES
• Nature pictorialized: "the view" in landscape history · CITES
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Statut documentaire

Pertinence à examiner

Bibliothèque

Cette identité n’est pas encore intégrée à la Bibliothèque juridique.