UDTR — Radar mondial des droits de la Nature

Wildlife Films

Identification

Clé publique

doi:10.9783/9780812205848

Auteurs

Derek Bousé

Année déclarée

2000

Langue déclarée

en

Type source

book

Première détection

2026-11-09T19:08:22.441188+00:00

Dernière observation des métadonnées

2026-11-09T19:08:22.441188+00:00

Dernière vérification HTTP

Non effectuée

Résumé documentaire — langue originale

If, as many argue, movies and television have become Western culture's premier storytelling media, so too have they become, for most members of society, the primary source of encounters with the natural world—particularly wild animals. The television fare offered nightly by national and cable networks such as PBS and the Discovery Channel provides millions of viewers with their only experience of the wilderness and its inhabitants. The very films that so many viewers take as accurate portrayals of wildlife, however, have evolved primarily as a form of entertainment, following the established codes and conventions of narrative exposition. The result has been not the representation of nature, but its wholesale reconstruction and reconfiguration according to film and television conventions, audience expectations, and the demands of competition in the media marketplace. Wildlife Films traces the genealogy of the nature film, from its origins as the "animal locomotion" studies that mark the very beginnings of motion pictures themselves, to the founding of the Animal Planet cable channel that boasts "all animals, all the time." The narrative and thematic elements that unite wildlife films as a genre have their roots not in the documentary film tradition, but in the older traditions of oral and written animal fables as reflections of human society. Derek Bousé contends that classic wildlife films often portray animal protagonists living in families modeled on an ideal of the human nuclear family and working in communities that resemble an ideal of bucolic human society. In these stories—presented as documentaries—animals are motivated by human emotions and conduct relationships according to human customs. This imposition of culturally satisfying narrative patterns upon the lives of animals has not only led to the misrepresentation of the natural world; it has promoted the notion that our values, our moral vision, our models of society and family structure derive from nature, rather than being cultural formations.

Identifiants

OPENALEX

W4232480558

DOI

10.9783/9780812205848

Repères documentaires

Famille documentaire

Livre

Types déclarés par les sources

book

Les mentions d’entités ne constituent pas une preuve de reconnaissance juridique. La juridiction étudiée est distincte du pays d’affiliation des auteurs.

Description bibliographique du livre

Disponibilité non établie

Sources

OpenAlex · Document 1 · Document 2

• DOI · https://doi.org/10.9783/9780812205848
• OpenAlex · https://openalex.org/W4232480558

Relations bibliographiques documentées

Références et liens déclarés par les sources ; ils ne constituent pas une preuve juridique ni une qualification UGLC. Affichage limité à 20 références sortantes.

3 références entrantes au sein du corpus détecté

Statut documentaire

Pertinence à examiner

Bibliothèque

Cette identité n’est pas encore intégrée à la Bibliothèque juridique.