UDTR — Radar mondial des droits de la Nature

TECHNOLOGY AND TECHNOLOGY IN INDIA (2003-2023)

Identification

Clé publique

doi:10.26436/hjuoz.2026.14.2.1718

Auteurs

Nazdar · Jivan

Année déclarée

2026

Langue déclarée

und

Type source

Article

Première détection

2026-11-09T19:10:34.556337+00:00

Dernière observation des métadonnées

2026-11-09T19:10:34.556337+00:00

Dernière vérification HTTP

Non effectuée

Résumé documentaire — langue originale

Haiku is an ancient japanese poetic style that emphasizes the representation of nature and the depiction of life. The origins trace back to the renowned Japanese poet Matsuo Bashō (1644–1694); However, its compositional principles derive from renga poems and several other concise literary forms that influenced its structure. This structure established the basis for the creation of concise poetry globally. This research, named "Techniques Of Scene Depiction In The Haiku of the Bahdinan region (2003–2023)," aims to elucidate the strategies of scene description in the Haiku from the Bahdinan region. It underscores the degree to which Haiku poets have effectively utilized these approaches in their works. Poetic composition operates within two realms: form and content. This research examines the structure of the poetry. The poem's structure is categorized into two types: lengthy and concise. kurdish poetry has undergone several phases throughout history, each characterized by unique attributes.This study elucidates the structure of Haiku poetry in the Bahdinan region from 2003 to 2023 by studying works from five Haiku writers over this timeframe. The objective is to identify the approaches of scene representation employed in their Haiku compositions to construct their poems and to extract their aesthetic and semantic qualities. The research begins with a definition of the concept of Haiku, its Japanese origins, and its distinctive features, before moving on to discuss the techniques of scene depiction. In conclusion, the study arrives at several findings, the most significant of which is that while these techniques have indeed been applied in the poets’ works, some of them have not fully mastered the Haiku form, its features, and its techniques.

Identifiants

DOI

10.26436/hjuoz.2026.14.2.1718

OPENAIRE

doi_________::f55de9c5c625142020fa792066a73cf7

Repères documentaires

Famille documentaire

Doctrine

Types déclarés par les sources

Article

Juridictions étudiées — sources explicites

IN

Les mentions d’entités ne constituent pas une preuve de reconnaissance juridique. La juridiction étudiée est distincte du pays d’affiliation des auteurs.

Sources

OpenAIRE · Document 1

• DOI · https://doi.org/10.26436/hjuoz.2026.14.2.1718

Statut documentaire

Pertinence à examiner

Bibliothèque

Cette identité n’est pas encore intégrée à la Bibliothèque juridique.