UDTR — Radar mondial des droits de la Nature

INTELLIGENCES ALTERNATIVES. FORMES ET PRATIQUES DES RÉSURGENCES INDIGÈNES MONDIALES. RÉSURGENCE AUTOCHTONE À LA LUMIÈRE DE L’ART DE JOSÉPHINE BACON

Identification

Clé publique

radar:r-19db91d278caec535d0383d363aafe55

Auteurs

Barbakadze, Tamar

Année déclarée

2025

Langue déclarée

it

Type source

article

Première détection

2026-11-13T08:40:06.164643+00:00

Dernière observation des métadonnées

2026-11-13T08:40:06.164643+00:00

Dernière vérification HTTP

Non effectuée

Institutions déclarées par la source

Université du Québec

Pays d’affiliation déclarés

CA

Résumé documentaire — langue originale

The word Innu means “human” in the Innu language, asserting both the universality of human beings and the cultural and visionary differences that unite us all (Dezutter, Fontaine, Létourneau 2021, p. 77). In Innu philosophy, this implies that before we are nationals of any state, we are first and foremost human beings. Consequently, relationality – or connectedness to other human cultures and to the natural environment – lies at the heart of contemporary Innu (and broader Canadian Indigenous) literature (Wilson 2008; King 1990). While deeply rooted in ancient oral traditions, this literature re-invents those traditions in resistance to hegemonic discourses, cultural biases, and the generic binaries long perpetuated by the West. It also serves as a means of rediscovering the self and claiming a rightful – though historically denied – place in history. This article draws on the work of contemporary Canadian Innu poet Joséphine Bacon to explore the significance of her poetry in the decolonization of Indigenous cultures and the rediscovery of identity. It examines traditional storytelling, visual art forms, metaphors, and worldviews to analyze how Bacon’s poetry: (a) challenges and redefines the literary canon by reinventing tradition; (b) contributes to the Indigenous literary and cultural resurgence; and (c) engages in dialogue with contemporary decolonial thinkers, particularly Édouard Glissant (1990, 2009) and his philosophical and poetic concept of the archipel. The article adopts an Indigenous critical methodology rooted in Bacon’s poetic practice, in conjunction with comparative decolonial perspectives. *Support for this research was received from the SNSF

Identifiants

OPENALEX

https://openalex.org/W7114787330

DOI

10.15162/2704-8659/2367

Repères documentaires

Famille documentaire

article

Types déclarés par les sources

article

Les mentions d’entités ne constituent pas une preuve de reconnaissance juridique. La juridiction étudiée est distincte du pays d’affiliation des auteurs.

Sources

OpenAlex · Document 1

• Document · https://ojs.uniba.it/index.php/eco/article/view/2367

Statut documentaire

Pertinence à examiner

Bibliothèque

Cette identité n’est pas encore intégrée à la Bibliothèque juridique.