UDTR Global Rights of Nature Radar

Narrativa y representación icónica. ¿qué nos cuentan las imágenes? La época de la contrarreforma en España como ejemplo.

Identification

Public canonical key

doi:10.12795/admira.2009.01.02

Authors

Mar Ramírez-Alvarado

Reported year

2009

Reported language

es

Source type

article

First detected

2026-11-09T19:09:46.903603+00:00

Last metadata observation

2026-11-09T19:09:46.903603+00:00

Last HTTP verification

Not checked

Institutions reported by the source

Universidad de Sevilla

Documentary abstract — original language

Resumen.El presente artículo tiene como objetivo profundizar en las reflexiones que, sobre las imágenes como modelos de representación, se desarrollaron en España a lo largo del siglo XVI y principios del XVII y se editaron en pequeñas obras de poca circulación.Con el cisma religioso que llevó a la consolidación del Protestantismo, la veneración de imágenes sagradas será considerada un acto de idolatría.De esta disputa salieron a la luz interesantes planteamientos enmarcados en el espíritu de la Contrarreforma y del Concilio de Trento sobre el valor de las imágenes de culto para el fomento de la espiritualidad y de la creencia en la divina providencia, así como la finalidad moralizante de la representación artística.Las imágenes sagradas tenían una historia que contar, y esa historia llevaba a Dios. Palabras clave. Reforma -Contrarreforma -Imagen -Concilio de Trento -RenacimientoAbstract.This article aims at deepening reflections that, on images as representation models, took place in Spain throughout the 16th century, and got into print as lowcirculation, small works.After the religious schism that led to the consolidation of Protestantism, veneration of images was regarded as an act of idolatry.From this dispute, interesting proposals came to light, within the framework of the Counter-Reformation spirit and The Council of Trent, on the value of cult images to foster both spirituality and belief in the Divine Providence, as well as the moralizing purpose of artistic representation.Sacred images had a story to tell, and that story led to God.

Identifiers

OPENALEX

W2891309644

DOI

10.12795/admira.2009.01.02

Documentary context

Documentary family

Scholarship

Source-reported types

article

Jurisdictions studied — explicit sources

ES

Entity mentions are not evidence of legal recognition. Jurisdiction studied is separate from author affiliation country.

Sources

OpenAlex · Record 1 · Record 2

• DOI · https://doi.org/10.12795/admira.2009.01.02
• OpenAlex · https://openalex.org/W2891309644

Documented bibliographic relations

Source-declared references and links; they do not establish legal support or UGLC qualification. Up to 20 outgoing references are displayed.

• openalex:w2340137361 · CITES
• openalex:w2788741335 · CITES
• openalex:w3117463840 · CITES

0 incoming references within the detected corpus

Documentary status

Relevance pending

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