‘Quem fugis’: The Poetics of Arrested Flight in ‘Other Kingdom’ and Howards End
Identification
- Public canonical key
- radar:r-00e78fef464cef2f736a69cd1d60cb4c
- Authors
- Marie Laniel
- Reported year
- —
- Reported language
- en
- Source type
- ART
- First detected
- 2026-11-13T08:38:41.351358+00:00
- Last metadata observation
- 2026-11-13T08:38:41.351358+00:00
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Institutions reported by the source
Conflits, représentations et dialogues dans l'univers anglo-saxon - UR UPJV 4295 · Université de Picardie Jules Verne
Documentary abstract — original language
From his earliest short story, ‘The Story of a Panic’ (1904), to A Passage to India (1924), E.M. Forster drew on classical sources to describe affective interactions between people and places, such as Theocritus’s Idylls or Virgil’s Eclogues, in which trees, rivers, caves respond to the human voice and are attuned to human feelings, or Ovid’s Metamorphoses, where transformation gives rise to new forms of sentient vegetal or mineral beings. Howards End is no exception, as Forster revives the Ovidian motif of the ‘metamorphosis of escape’ to depict the mutations affecting Edwardian England. The house and the tree at Howards End will suspend Margaret and Helen Schlegel’s flight and become the place where new affects—new modes of relationality and commonality—will find expression. Forster thus creates an English mythology, which is not merely backward looking but constitutes an ambivalent response to modernity and contributes to redefining the condition of the subject at the turn of the century.
Identifiers
- DOI
- 10.4000/ebc.8737
- HAL
- hal-03650903
Documentary context
- Documentary family
- article
- Source-reported types
- ART
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Sources
HAL · Record 1
Cite this reference
Marie Laniel. ‘Quem fugis’: The Poetics of Arrested Flight in ‘Other Kingdom’ and Howards End. https://doi.org/10.4000/ebc.8737
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- APA
- Marie Laniel. ‘Quem fugis’: The Poetics of Arrested Flight in ‘Other Kingdom’ and Howards End. https://doi.org/10.4000/ebc.8737
- Chicago
- Marie Laniel. ‘Quem fugis’: The Poetics of Arrested Flight in ‘Other Kingdom’ and Howards End. https://doi.org/10.4000/ebc.8737
- ISO 690
- Marie Laniel. ‘Quem fugis’: The Poetics of Arrested Flight in ‘Other Kingdom’ and Howards End. https://doi.org/10.4000/ebc.8737
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UDTR Global Rights of Nature Legal Library. ‘Quem fugis’: The Poetics of Arrested Flight in ‘Other Kingdom’ and Howards End. Documentary record: https://www.declarationuniverselledesdroitsdelarbre.org/global-rights-of-nature-radar/reference/r-00e78fef464cef2f736a69cd1d60cb4c/ · Last HTTP verification: not performed
Research dossiers and documentary relations
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Bibliographic / original publication source · https://u-picardie.hal.science/hal-03650903v1
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